Béla Bartók : composition, concepts, and autograph sources /
This long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music. For Bèla Bartók, co...
| Главный автор: | |
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| Формат: | Licensed eBooks |
| Язык: | английский |
| Опубликовано: |
Berkeley :
University of California Press
©1996.
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| Серии: | Ernest Bloch lectures ;
9. |
| Online-ссылка: | https://www.jstor.org/stable/10.2307/jj.8441792 |
| Итог: | This long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music. For Bèla Bartók, composition often began with improvisation at the piano. Làszló Somfai maintains that Bartók composed without preconceived musical theories and refused. |
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| Примечание: | Series statement from jacket. |
| Объем: | 1 online resource (xxii, 334 pages : illustrations. |
| Библиография: | Includes bibliographical references (pages 297-320) and indexes. |
| ISBN: | 9780520914612 0520914619 0520084853 9780520084858 |