Athens at the margins : pottery and people in the early Mediterranean world /

How the interactions of nonelites influenced Athenian material culture and societyThe seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flo...

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Detalhes bibliográficos
Autor principal: Arrington, Nathan T. (Autor)
Formato: Licensed eBooks
Idioma:inglês
Publicado em: Princeton : Princeton University Press [2021]
Acesso em linha:https://www.jstor.org/stable/10.2307/j.ctv1k13b77
Sumário:
  • Cover
  • Contents
  • Preface and Acknowledgments
  • Chapter 1. The Margins
  • Greece and the Near East: The Need for a (Micro- )Regional Perspective
  • Style: Toward an Approach
  • Attica in the Seventh Century: Historical Context
  • In Defense of Protoattic
  • Synopsis
  • Chapter 2. From Phaleron Ware to Exotica: A Historiography of Protoattic
  • Why Look Back?
  • The First Finds and the Beginning of Orientalizing
  • A Canon Takes Shape
  • To Make Protoarchaic Art ... Classical
  • The Turn to Consumption, and Its Consequences
  • Shifting the Orientalizing Paradigm
  • Chapter 3. The Place of Athens in the Mediterranean: Horizons and Networks
  • Which Way Is the Orient?
  • The Eastern Horizon
  • The Western Horizon
  • The Horizon of Antiquity
  • Western Connections: From Diffusion to Network Thinking
  • The "Oriental" West
  • Two Unexpected Trajectories: Odysseus and Colaeus
  • Feedback from the West
  • The Peripheries of a Global Mediterranean
  • Chapter 4. Interaction at the Grave: Style, Practice, and Status
  • More Than a Painting
  • The Landscape of Commemoration
  • Visibility and Variability in the Burial Record
  • Vases in Motion: Participation and Interaction in Funeral Rituals
  • Social Disorder and the Absence of Cultural Hegemony
  • Appropriation and Transformation: A Model for Change from Below
  • Dissent and Resistance
  • The Many Hands at Work
  • Chapter 5. Artists and Their Styles: Production, Process, and Subjectivity
  • Beyond Connoisseurship
  • The Paradox of the Seventh-Century Artist Personality
  • The Contexts of Production
  • Experiments with Figure and Ornament
  • Technique and the Emergence of the Painter's Hand
  • "Personal" Styles
  • Color Plates
  • Chapter 6. Drinking and Worshipping Together: Participation and Subjectivity in the Symposium and the Sanctuary
  • Communities of Individuals
  • Between Attic Red-Figure and Levantine Bowls
  • Nestor's Cup
  • Defining the Symposium and Its Participants
  • The Spinning Cup
  • Myths and Communities of Viewers
  • Entering the Group through Writing
  • Drinking and the Orient
  • Cult and Subjectivity
  • The Formation of Subjectivity and Community through Ritual Practice
  • The Demands of Cult
  • The Vase in Hand
  • Chapter 7. Back to Phaleron
  • Recap
  • Beyond Attica and the Seventh Century
  • The Future of Phaleron
  • Table1: Protoattic Burials
  • Abbreviations
  • Notes
  • Bibliography
  • Index

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