Projecting Nation South African Cinemas After 1994.

"Projecting Nation explores the ways in which national and transnational forces have shaped the representation of race and nation in South African films produced after the transition to a multiracial democracy"--

Detaylı Bibliyografya
Yazar: Moyer-Duncan, Cara
Materyal Türü: Licensed eBooks
Dil:İngilizce
Baskı/Yayın Bilgisi: East Lansing : Michigan State University Press 2020.
Seri Bilgileri:African humanities and the arts.
Online Erişim:https://www.jstor.org/stable/10.14321/j.ctv114c7cm
İçindekiler:
  • Introduction : Audience, race, globalization and South African cinemas after 1994
  • An industry not yet transformed : the state, the private sector, and the ecology of South African cinema after 1994
  • Projecting South Africa for global consumption : myths, stereotypes, and feel-good stories
  • Independent filmmaking after 1994 : new directions, no audiences
  • "Oh schuks!" Is this the new South African cinema? : genre, stars, stereotypes and popular appeal
  • Following the market : the refragmentation of the local film industry
  • Conclusion.