Projecting Nation South African Cinemas After 1994.
"Projecting Nation explores the ways in which national and transnational forces have shaped the representation of race and nation in South African films produced after the transition to a multiracial democracy"--
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
East Lansing :
Michigan State University Press
2020.
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| Rangatū: | African humanities and the arts.
|
| Urunga tuihono: | https://www.jstor.org/stable/10.14321/j.ctv114c7cm |
Rārangi ihirangi:
- Introduction : Audience, race, globalization and South African cinemas after 1994
- An industry not yet transformed : the state, the private sector, and the ecology of South African cinema after 1994
- Projecting South Africa for global consumption : myths, stereotypes, and feel-good stories
- Independent filmmaking after 1994 : new directions, no audiences
- "Oh schuks!" Is this the new South African cinema? : genre, stars, stereotypes and popular appeal
- Following the market : the refragmentation of the local film industry
- Conclusion.