The female baroque in early modern English literary culture : from Mary Sidney to Aphra Behn /
The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into dis...
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| 格式: | Licensed eBooks |
| 語言: | 英语 |
| 出版: |
Amsterdam :
Amsterdam University Press
2020.
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| 叢編: | Gendering the late medieval and early modern world ;
9. |
| 在線閱讀: | https://www.jstor.org/stable/10.2307/j.ctv10tq4j4 |
| 總結: | The Female Baroque is a contribution to the revival since the 1980s of early modern women's writings and cultural production in English. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. [-]The book is built on a schema of recurring Baroque characteristics - narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the Female Baroque is developed in detail. Attention is then given particularly to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, Margaret Cavendish and Aphra Behn, the latter two whose lives and writings point to the developing cultural transition to the Enlightenment.[-]. |
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| 實物描述: | 1 online resource |
| 參考書目: | Includes bibliographical references and index. |
| ISBN: | 9789048551118 9048551110 |