Italian film in the light of neorealism /
| Κύριος συγγραφέας: | |
|---|---|
| Μορφή: | Licensed eBooks |
| Γλώσσα: | Αγγλικά |
| Έκδοση: |
Princeton, N.J. :
Princeton University Press
1986.
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| Διαθέσιμο Online: | https://www.jstor.org/stable/10.2307/j.ctvx5wb15 |
Πίνακας περιεχομένων:
- Rossellini's Open city : the founding
- De Sica's Bicycle thief : casting shadows on the visionary city
- De Santis's Bitter rice : a neorealist hybrid
- De Sica's Umberto D : dark victory for neorealism
- Comencini's Bread, love, and fantasy : consumable realism
- Fellini's La strada : transcending neorealism
- Visconti's Senso : the Risorgimento according to Gramsci
- Antonioni's Red desert : abstraction as the guiding idea
- Olmi's Il posto : discrediting the economic miracle
- Germi's Seduced and abandoned : inside the honor code
- Pasolini's Teorema : the halfway revolution
- Petri's Investigation of a citizen above suspicion : power as pathology
- Bertolucci's The conformist : a morals charge
- Wertmuller's Love and anarchy : the high price of commitment
- Rosi's Christ stopped at Eboli : a tale of two Italies
- The Taviani brothers' Night of the shooting stars : ambivalent tribute to neorealism
- Scola's We all loved each other so much : an epilogue.