Film and the imagined image /

"From documentary to art-house cinema - and from an abundance of onscreen images to their complete absence - films that experiment variously with narration, voice-over and soundscapes do not only engage viewers' thoughts and senses. They also make an appeal to visualise more than is percep...

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Dades bibliogràfiques
Autor principal: Cooper, Sarah, 1971- (Autor)
Format: Licensed eBooks
Idioma:anglès
Publicat: Edinburgh : Edinburgh University Press [2019]
Accés en línia:https://www.jstor.org/stable/10.3366/j.ctvs32qw3
Taula de continguts:
  • Seeing pictures
  • Feeling pictures
  • Layering
  • Volumising
  • Supplementing
  • Reshaping
  • Erasing