Moving images on the margins : experimental film in late socialist East Germany /
In the German Democratic Republic during the 1970s and 1980s, more than two hundred films and videos, many of them experimental, were made outside government-run institutions despite legal restrictions on independent filmmaking, and despite the state-owned DEFA studio system's resistance to exp...
| Hoofdauteur: | |
|---|---|
| Formaat: | Licensed eBooks |
| Taal: | Engels |
| Gepubliceerd in: |
Rochester, New York :
Camden House
2019
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| Reeks: | Screen cultures.
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| Online toegang: | https://www.jstor.org/stable/10.2307/j.ctvktrwrk |
Inhoudsopgave:
- Art, experimentation, and the avant-garde in East Germany
- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses
- Lines of communication: mail art and the connectivity of experimental film
- Herz Horn Haut Schrein: film and the autoperforating body of/at work
- Film experiments, design anthropology, and the politics of vision: Yana Milev's theory of practice