Making images move handmade cinema and other arts
"Making Images Move reveals a new history of the moving image as told through its engagement with other media and art forms. Think of a Pollock or a Kandinsky that moves, a film created by scratching directly onto the celluloid, or a mechanical apparatus that fractures light and bends time. The...
| 第一著者: | |
|---|---|
| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Oakland, California
[2020]
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| オンライン･アクセス: | https://www.jstor.org/stable/10.2307/j.ctvqr1bkx |
目次:
- Introduction : A shadow history of the moving image
- Between canvas and celluloid : Visual music, motion paintings, and cameraless photography
- Abstractions in time : Painting and scratching on film
- By chemicals, by body, by mechanism : Other handmade methods
- Beyond the frame : Cameraless questions of politics and representation
- Light in motion : The moving image between the plastic arts and cinema
- Making space, making time : Light art of the 1950s and 1960s
- Forms of radiance : The practice and significance of the psychedelic light show
- Video art : Analog circuit palettes, cathode ray canvases
- Conclusion : Handmade moving images in the digital era