Chromatic modernity : color, cinema, and media of the 1920s /
"In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a fascinating history of the use of color in film and consumer goods during the 1920s. They contextualize color's role in film, other art forms, and consumer culture to produce a comprehensive, comparative study that situates...
| Váldodahkkit: | , |
|---|---|
| Materiálatiipa: | Licensed eBooks |
| Giella: | eaŋgalasgiella |
| Almmustuhtton: |
New York :
Columbia University Press
[2019]
|
| Ráidu: | Film and culture.
|
| Liŋkkat: | https://www.jstor.org/stable/10.7312/stre17982 |
Sisdoallologahallan:
- Color standards and the industrial field of film
- Advertising, fashion, and color
- Synthetic dreams: expanded spaces of cinema
- Modernist color in the art and avant-garde of the 1920s
- Chromatic hybridity
- Color and the coming of sound.