Creative union : the professional organization of Soviet composers, 1939-1953 /
Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--Jacket.
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Ithaca, N.Y. :
Cornell University Press
2006.
|
| Rangatū: | Cornell scholarship online.
|
| Urunga tuihono: | https://www.jstor.org/stable/10.7591/j.ctt22727w0 |
| Whakarāpopototanga: | Central to Tomoff's argument is the institutional authority and prestige that the musical profession accrued and deployed within Soviet society, enabling musicians to withstand the postwar disciplinary campaigns that were so crippling in other artistic and literary spheres."--Jacket. |
|---|---|
| Whakaahuatanga ōkiko: | 1 online resource |
| Rārangi puna kōrero: | Includes bibliographical references (pages 305-311) and index. |
| ISBN: | 9781501730023 1501730029 080144411X 9780801444111 |