Fado and the urban poor in portuguese cinema of the 1930s and 1940s /
Colvin studies the evolution of Fado music as the soundtrack to the Portuguese talkie. He analyzes the most successful Portuguese films of the first two decades of the Estado Novo era to understand how directors used the national song to promote the values of the young Regime regarding the poor inha...
| Prif Awdur: | |
|---|---|
| Fformat: | Licensed eBooks |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Woodbridge :
Tamesis
2016.
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| Cyfres: | Colección Támesis. Monografías ;
356. |
| Mynediad Ar-lein: | https://www.jstor.org/stable/10.7722/j.ctt18gzfd4 |
Tabl Cynhwysion:
- Introduction: Thefadistain Portuguese Film
- 1. Images of Defeat: Early Fado Films and the Estado Novo's Notion of Progress
- 2. The Musical War Against Lisbon: Aldeia da Roupa Branca's Rural Family Values in Conflict with an Easy fadista Life in the Capital
- 3. A Return to marialvismo: O Costa do Castelo and the Comedies of the 1940
- 4. Lisbon (Fado) versus Coimbra (Fado): New Severas, the Colonial Enterprise, and Class Conflict in Capas Negras
- 5. Fado, História d'uma Cantadeira: Construction and Deconstruction of the fado novo.