Imperial projections : screening the German colonies /
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a new genre within the fast growing film...
| 主要作者: | |
|---|---|
| 格式: | Licensed eBooks |
| 語言: | 英语 |
| 出版: |
New York ; Oxford :
Berghahn Books
[2015]
|
| 叢編: | Film Europa.
|
| 在線閱讀: | https://www.jstor.org/stable/10.2307/j.ctt9qcxcz |
書本目錄:
- Introduction
- The beginning of colonial film culture in Imperial Germany. From the variety theatre to the German colonial society
- Carl Muller: a colonial film maker
- The DKG's film shows: the colonies in motion
- Addressing the masses. The 'Hottentot election' of 1907
- The DKG's Kinematographenkampagne
- Rise and fall of the Kinemtographenkampagne
- Ethnographic filmmaking in the colonies
- Karl Weule in German East Africa
- The expedition in context: modern German ethnography
- Filming in the Colonies: Training and Improvisation
- Tourism, Entertainment, and Colonial Ideology. Colonial Films in Public Cinema
- The colonial travelogue
- Colonial films in transition: Robert Schumann's comeback
- Colonial film propaganda during the First World War. Setting up colonial war propaganda
- The Deutsche Kolonial-filmgesellschaft (DEUKO)
- Conclusion. Beyond the colonial era.