Film theory : creating a cinematic grammar /
Film Theory addresses the core concepts and arguments created or used by academics, critical film theorists, and filmmakers, including the work of Dudley Andrew, Raymond Bellour, Mary Ann Doane, Miriam Hansen, bell hooks, Siegfried Kracauer, Raul Ruiz, P. Adams Sitney, Bernard Stiegler, and Pier Pao...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
New York :
Columbia University Press
2014.
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| Rangatū: | Short cuts (London, England)
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| Urunga tuihono: | https://www.jstor.org/stable/10.7312/colm16973 |
Rārangi ihirangi:
- Frontmatter
- Contents
- Acknowledgements
- Introduction: The Written Matter of a Cinematic Grammar
- 1. Models
- 2. Technology
- 3. Spectators
- Conclusion: Film Theory as Practice
- Bibliography
- Index.