Screen/play : Derrida and film theory /
Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Weste...
| Main Authors: | , |
|---|---|
| Formato: | Licensed eBooks |
| Idioma: | inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press
[1989]
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| Series: | Princeton legacy library.
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| Acceso en liña: | https://www.jstor.org/stable/10.2307/j.ctt7zthjb |
Table of Contents:
- Frontmatter
- CONTENTS
- Preface
- CHAPTER ONE. Introduction
- CHAPTER TWO. Derrida and Contemporary Film Studies
- CHAPTER THREE. Film as Writing: From Analogy to Anagram
- CHAPTER FOUR. The Frame of the Frame
- CHAPTER FIVE. Black and Blue
- CHAPTER SIX. Cinema and the Postal
- Works Cited
- Index.