The new Neapolitan cinema /

Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples be...

תיאור מלא

מידע ביבליוגרפי
מחבר ראשי: Marlow-Mann, Alex
פורמט: Licensed eBooks
שפה:אנגלית
יצא לאור: Edinburgh : Edinburgh University Press 2011.
סדרה:Traditions in world cinema.
גישה מקוונת:https://www.jstor.org/stable/10.3366/j.ctt1r1x9g
תוכן הענינים:
  • Cover; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; NOTE; GLOSSARY; TRADITIONS IN WORLD CINEMA; INTRODUCTION; 1. NEAPOLITAN CINEMA AND THE ITALIAN FILM INDUSTRY; 2. CHARACTERISTICS AND FUNCTIONS OF THE NEAPOLITAN FORMULA; 3. ESTRANEI ALLA MASSA: THE NEW NEAPOLITAN CINEMA AND THE CRISIS OF NAPOLETANITÀ; 4. GOLD AND DUST: HYBRIDITY, POSTMODERNISM AND THE LEGACY OF NEAPOLITAN NARRATIVE; 5. SYMBOLIC POLITICS: THE NEAPOLITAN RENAISSANCE AND THE POLITICS OF THE NEW NEAPOLITAN CINEMA; CONCLUSION; APPENDICES; FILMOGRAPHY; SELECT BIBLIOGRAPHY; INDEX.