The new Neapolitan cinema /
Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples be...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Edinburgh :
Edinburgh University Press
2011.
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| Rangatū: | Traditions in world cinema.
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| Urunga tuihono: | https://www.jstor.org/stable/10.3366/j.ctt1r1x9g |
Rārangi ihirangi:
- Cover; Copyright; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; NOTE; GLOSSARY; TRADITIONS IN WORLD CINEMA; INTRODUCTION; 1. NEAPOLITAN CINEMA AND THE ITALIAN FILM INDUSTRY; 2. CHARACTERISTICS AND FUNCTIONS OF THE NEAPOLITAN FORMULA; 3. ESTRANEI ALLA MASSA: THE NEW NEAPOLITAN CINEMA AND THE CRISIS OF NAPOLETANITÀ; 4. GOLD AND DUST: HYBRIDITY, POSTMODERNISM AND THE LEGACY OF NEAPOLITAN NARRATIVE; 5. SYMBOLIC POLITICS: THE NEAPOLITAN RENAISSANCE AND THE POLITICS OF THE NEW NEAPOLITAN CINEMA; CONCLUSION; APPENDICES; FILMOGRAPHY; SELECT BIBLIOGRAPHY; INDEX.