Universal women : filmmaking and institutional change in early Hollywood /
Between 1912 and 1919, the Universal Film Manufacturing Company first systematically supported and promoted women directors--crediting eleven women with directing at least 170 films--and then abruptly reversed that policy. In this trailblazing study, Mark Garrett Cooper approaches the phenomenon as...
| 第一著者: | |
|---|---|
| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Urbana :
University of Illinois Press
[2010]
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| シリーズ: | Women and film history international.
|
| オンライン･アクセス: | https://www.jstor.org/stable/10.5406/j.ctt1xcj26 |
目次:
- Preface : a puzzle, some premises, and a hypothesis
- Possibility. Universal's names
- Universal's organization
- Universal City
- Impossibility. Genre : a category of institutional analysis
- Serials : the foreclosure of collaboration
- Gender and the dramatic feature
- Postscript : Eleanor's catch.