Adapted for the screen : the cultural politics of modern Chinese fiction and film /
Contemporary Chinese films are popular with audiences worldwide, but a key reason for their success has gone unnoticed: many of the films are adapted from brilliant literary works. This book is the first to put these landmark films in the context of their literary origins and explore how the best Ch...
| 第一著者: | |
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| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Honolulu :
University of Hawaiʻi Press
[2010].
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| シリーズ: | UPCC book collections on Project MUSE.
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| オンライン･アクセス: | https://www.jstor.org/stable/10.2307/j.ctt6wqzpr |
目次:
- Wang Dulu and Ang Lee: artistic creativity and sexual freedom in Crouching tiger, hidden dragon
- Su Tong and Zhang Yimou: women's places in Raise the red lantern
- Eileen Chang and Stanley Kwan: politics and love in Red rose (and) white rose
- Liu Yichang and Wong Kar-wai: the class trap in In the mood for love
- Dai Sijie: locating the third culture in Balzac and the little Chinese seamstress
- Hou Xiaoxian and Zhu Tianwen: politics and poetics in A time to live, a time to die
- Chen Yuhui and Chen Guofu: envisioning democracy in The personals.