Cinematic identity : anatomy of a problem film /
Cindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other Òproblem filmsÓ and to explore the larger issues they raise about race, gender, and sexuality. Patton historicizes Òproblem filmsÓ and the arrival of Method acting in Hollywood, and in doing so o...
| 第一著者: | |
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| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Minneapolis :
University of Minnesota Press
©2007.
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| シリーズ: | Theory out of bounds ;
v. 29. |
| オンライン･アクセス: | https://www.jstor.org/stable/10.5749/j.cttttt1p |
目次:
- CONTENTS; ACKNOWLEDGMENTS; 1. American Celluloid: New Medium, New Citizen; 2. In the Hearts of Men; 3. Censorship and the Problem Films; 4. Acting Up: The Performing American; 5. Two Conversations: Black and White Americans on Film; APPENDIX. PINKY: A SYNOPSIS; NOTES; REFERENCES; FILMOGRAPHY; INDEX.