Cinematic identity : anatomy of a problem film /
Cindy Patton takes Pinky as a starting point to meditate on the critical reception of this and other Òproblem filmsÓ and to explore the larger issues they raise about race, gender, and sexuality. Patton historicizes Òproblem filmsÓ and the arrival of Method acting in Hollywood, and in doing so o...
| المؤلف الرئيسي: | |
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| التنسيق: | Licensed eBooks |
| اللغة: | الإنجليزية |
| منشور في: |
Minneapolis :
University of Minnesota Press
©2007.
|
| سلاسل: | Theory out of bounds ;
v. 29. |
| الوصول للمادة أونلاين: | https://www.jstor.org/stable/10.5749/j.cttttt1p |
جدول المحتويات:
- CONTENTS; ACKNOWLEDGMENTS; 1. American Celluloid: New Medium, New Citizen; 2. In the Hearts of Men; 3. Censorship and the Problem Films; 4. Acting Up: The Performing American; 5. Two Conversations: Black and White Americans on Film; APPENDIX. PINKY: A SYNOPSIS; NOTES; REFERENCES; FILMOGRAPHY; INDEX.