Body shots : early cinema's incarnations /
Argues that it was the human form in motion that most profoundly shaped early cinema. Situating his discussion in a political and historical context, the author begins his analysis with films that reveal striking anxieties and preoccupations about persons on public display. It also considers twentie...
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Berkeley :
University of California Press
©2007.
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| Առցանց հասանելիություն: | https://www.jstor.org/stable/10.1525/j.ctt1ppbm9 |