Killing the Indian maiden : images of Native American women in film /
Killing the Indian Maiden examines the fascinating and often disturbing portrayal of Native American women in film. M. Elise Marubbio examines the sacrificial role in which a young Native woman allies herself with a white male hero and dies as a result of that choice. In studying thirty-four Hollywo...
| المؤلف الرئيسي: | |
|---|---|
| التنسيق: | Licensed eBooks |
| اللغة: | الإنجليزية |
| منشور في: |
Lexington, Ky. :
University Press of Kentucky
©2006.
|
| سلاسل: | UPSO - University Press of Kentucky E-Books.
|
| الوصول للمادة أونلاين: | https://www.jstor.org/stable/10.2307/j.ctt2jcfwm |
جدول المحتويات:
- Emergence of the celluloid maiden
- The celluloid princess. Death, gratitude, and the squaw man's wife : the celluloid princess from 1908 to 1931
- White-painted lady : the 1950s celluloid princess
- The sexualized maiden. What lies beneath the surface : the sexualized maiden of the 1940s
- The only good Indian is a dead Indian : the sexualized maiden of the 1950s and 1960s
- The hybrid celluloid maiden. Free love and violence : "going Native ' with the celluloid maiden in the 1970s
- Ghosts and vanishing Indian women : death of the celluloid maiden in the 1990s
- Into the twenty-first century.