Classical music and postmodern knowledge /
A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music--the ""classical"" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this musi...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Berkeley :
University of California Press
©1995.
|
| Urunga tuihono: | https://www.jstor.org/stable/10.2307/jj.2711702 |
Rārangi ihirangi:
- Intro
- Contents
- Musical Examples and Figures
- Preface
- Acknowledgments
- One. Prospects
- Two. From the Other to the Abject
- Three. Music and Representation
- Four. Musical Narratology
- Five. Felix Culpa
- Six. The Lied as Cultural Practice
- Seven. Cultural Politics and Musical Form
- Eight. Consuming the Exotic
- Epilogue à 4
- Appendix. Mendelssohn
- Notes
- Index