Transnational Chinese cinemas : identity, nationhood, gender /

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chin...

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書目詳細資料
其他作者: Lu, Sheldon H. (Editor)
格式: Licensed eBooks
語言:英语
出版: Honolulu, HI : University of Hawaii Press 1997.
在線閱讀:https://www.jstor.org/stable/10.2307/j.ctt6wqxw6
實物特徵
總結:Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.
實物描述:1 online resource (xiii, 414 pages) : illustrations
格式:Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
參考書目:Includes bibliographical references (pages 369-401) and index.
ISBN:9780585288451
0585288453
9780824865290
0824865294
0824818458
9780824818456