The Aesthetics of Digital Montage : Film Editing and Technological Change /
Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology...
| 第一著者: | |
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| フォーマット: | Licensed eBooks |
| 言語: | 英語 |
| 出版事項: |
Amsterdam :
Amsterdam University Press,
[2024]
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| シリーズ: | Cinema and technology (Amsterdam, Netherlands)
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| オンライン･アクセス: | https://www.jstor.org/stable/10.2307/jj.20367928 |
| 要約: | Tracing the recent changes to the technology of film editing, this book offers an account of the aesthetics of digital montage. It is commonly argued that the changes to the technical apparatus of editing, the emergence of new systems for digital editing, have altered the basic identity or ontology of the cinema as an art. Such claims, it is argued in this book, are based on a misunderstanding of the relation between technology and technique, and more generally between the technical and the aesthetic. Applying recent theories of art, and employing specific concepts from philosophical aesthetics, an account of cinematic art is offered that can better accommodate the kinds of technical changes that have occurred in recent decades, with the advent of computer technology in the cinema. An aesthetics of digital montage is presented as part of a more general proposal for a theory of technical change in the cinema. |
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| 物理的記述: | 1 online resource |
| 書誌: | Includes bibliographical references and index. |
| ISBN: | 9789048543120 9048543126 9789463722803 |