Black Time and the Aesthetic Possibility of Objects.
The decades following the civil rights and decolonization movements of the sixties and seventies--termed the post-soul era--created new ways to understand the aesthetics of global racial representation. Daphne Lamothe shows that beginning around 1980 and continuing to the present day, Black literatu...
| Egile nagusia: | |
|---|---|
| Formatua: | Licensed eBooks |
| Hizkuntza: | ingelesa |
| Argitaratua: |
Chapel Hill :
University of North Carolina Press,
2024.
|
| Sarrera elektronikoa: | https://www.jstor.org/stable/10.5149/9781469675336_lamothe |
Aurkibidea:
- Cover
- Title Page
- Copyright Page
- Contents
- List of Figures
- Acknowledgments
- Introduction: A Body in the World
- Chapter One. Stromae's Relational Aesthetic
- Chapter Two. In Search of Presence: A Digressive Reading of Ordinary Light
- Chapter Three. The Freedom in Black Aesthetic Optimism
- Chapter Four. Black Time Matters
- Chapter Five. To Wander Determined: A Portal to Blackness and Being
- Chapter Six. Migration/Stasis/Stillness: Paule Marshall's Poetics of Change
- Chapter Seven. Black Presence in the Twilight Hour: Dionne Brand's thirsty
- Chapter Eight. Swing Time: Politically Minded with an Individual Soul
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W