Settler aesthetics : visualizing the spectacle of originary moments in The new world /
"In Settler Aesthetics, an analysis of renowned director Terrence Malick's 2005 film, The New World, Mishuana Goeman examines the continuity of imperialist exceptionalism and settler-colonial aesthetics. The story of Pocahontas has thrived for centuries as a cover for settler-colonial eras...
| Prif Awdur: | |
|---|---|
| Fformat: | Licensed eBooks |
| Iaith: | Saesneg |
| Cyhoeddwyd: |
Lincoln :
University of Nebraska Press,
[2023]
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| Cyfres: | Indigenous films.
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| Mynediad Ar-lein: | https://www.jstor.org/stable/10.2307/jj.7492232 |
Tabl Cynhwysion:
- Introduction: The Spectacle of Originary Moments
- 1. The Consumption of Mythic Romance and Innocence
- 2. Settler Aesthetics and the Making of Cinematic Geographies
- 3. Filmic Apologies and Indigenous Labor
- 4. The "New World" of Race, U.S. Law, and the Politics of Recognition
- Conclusion: Undoing the Spectacle.