Crossing boundaries & confounding identity : Chinese women in literature, art, and film /
"Examines literary, historical, and cultural portrayals of Chinese women, across centuries and continents"--
| Tác giả khác: | |
|---|---|
| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Albany :
State University of New York Press,
[2023]
|
| Loạt: | SUNY series in Asian studies development.
|
| Truy cập trực tuyến: | https://www.jstor.org/stable/10.2307/jj.18255566 |
Mục lục:
- Intro
- Contents
- List of Illustrations
- Acknowledgments
- Preface
- Introduction
- Works Cited
- Chapter 1 Emily Georgiana Kemp: An Early Twentieth-Century Traveler's Perspective on the Heart-Mind of China
- Acknowledgments
- Notes
- Works Cited
- Chapter 2 Women's Agency at the Close of Ming Dynasty China: Vulnerability, Violation, and Vengeance in Ling Mengchu's Vernacular Short Stories
- Vulnerability
- Accepting the Assailant
- Vengeance
- Context: Late Ming Dynasty
- Notes
- Works Cited
- Chapter 3 A Flight of Cultural Imagination in Heian Japan: The Image of Yang Guifei in Genji monagatori and "Chang hen ge"
- The "Chang Hen Ge" Paradigm
- The Poetic Flight of the Figure of a Maboroshi in Genji Monogatari
- Chapter 1: The Figure of Yang Guifei in the First Generation of an Amorous Hero in Genji
- Chapter 41: The Figure of Yang Guifei in the Second Generation of an Amorous Hero in Genji
- Chapter 54: The Figure of Yang Guifei in the Third Generation of an Amorous Hero in Genji
- Conclusion
- Notes
- Works Cited
- Chapter 4 Women Generals and Martial Maidens: China's Warrior Women in History, Literature, and Film
- Notes
- Works Cited
- Chapter 5 Women in Male Roles: Cross-Dressed Actresses in Early Twentieth-Century China
- Becoming the "Man of the House"
- The Appeal of the Female Laosheng
- Meng Xiaodong: Actresses and Image
- Conclusion
- Notes
- Works Cited
- Chapter 6 Pavilion of Women: Gender Politics and Global Cultural Translatability
- Textual Migration: Transcultural Duality and Global Media Politics
- Translated Subaltern
- Sexualized Narrative
- Schizophrenic Cinema
- Notes
- Works Cited
- Chapter 7 Gendered Screens: Women, Space, and Social Transformation in the Works of Contemporary Chinese Female Filmmakers
- Space, Cinema, Gender
- The Unhomely Home: My Father and I and Shanghai Women
- The Modernizing City: Go Lala Go! and Shanghai Story
- Across Time and Space: Somewhere Only We Know and Please Remember Me
- Conclusion
- Works Cited
- Chapter 8 Women in Chinese Visual Art over the Past Century
- Works Cited
- Chapter 9 "Lessons for Women": From The Good Earth to Leftover Women
- From Histories to Herstories
- Herstory or Women's History
- The Beginnings of the Cultural and Moral Landscape
- History from the Top Down: the Dowager Empress
- History from the Bottom Up: The Peasantry
- From Footbinding and Concubinage to the Anti-Footbinding Movement
- From the Anti-Footbinding Movement to Women in the State
- Love and Marriage
- From Marriage to Family Reverence
- Large-Scale Tragedies
- "The World Is Yours": Mao's Promises and Deng's Fulfillment of Promises
- One Child Only or Fertility Control
- The Revenge: China's Leftover Women
- Conclusion
- Notes
- Works Cited
- Index