Performing #MeToo : How Not to Look Away /
Voices from diverse cultural and environmental contexts writing on forms of engagement with the topic of performing #MeToo - testimony, witnessing, interpretation, field reports. Includes people who speak from personal experience, as well as allies, activists, and scholars. Examines contemporary wor...
| Tác giả khác: | |
|---|---|
| Định dạng: | Licensed eBooks |
| Ngôn ngữ: | Tiếng Anh |
| Được phát hành: |
Bristol :
Intellect Books Ltd,
2021.
|
| Truy cập trực tuyến: | https://www.jstor.org/stable/10.2307/j.ctv36xvtpv |
Mục lục:
- Front Cover
- Half Title
- Performing #Me Too: Ho Not to Look Away
- Copyright information
- Table of contents
- Acknowledgements
- Introduction
- Performing #MeToo
- Performing #MeToo: How Not to Look Away
- Notes
- 1 "Vital Acts of Transfer": #MeToo and the Performance of Embodied Knowledge
- Reclaiming the Repertoire of #MeToo
- Rescripting the Repertoire: Time's Up and the Golden Globes Red Carpet Blackout
- Conclusion: Utopic Gestures
- Notes
- 2 "Bite the Bullet": The Practice of Protest as a Coping Mechanism
- The Economy of the Female Fear Factory
- Coming to Terms with the Past, a Term of Post-war, Post-genocide
- War? On Womxn
- War Metaphor
- The Practice of Protest: On the Line
- The Practice of Protest Continues
- Silence?
- The Practice of Protest: uNokuthula
- Aluta Continua
- Notes
- 3 Resisting Theatre: The Political in the Performative
- What Does a Woman Know?
- Resistance
- Conclusion
- Notes
- 4 Supporting Brave Spaces for Theatre-Makers Post-#MeToo:: A Chicago-Based Study on Rehearsing and Performing Intimacy in Theatre
- Introduction
- Background
- Galvanizing a Community
- Chicago Theatre Standards
- Brave Spaces
- Rehearsing Intimacy
- Chicago Theatres
- Intimacy Facilitators
- Moving Forward
- Notes
- 5 We Get It: Calling Out Sexism and Harassment in Australia's Live Performance Industry
- "Sexism Is Over"
- Rank
- Women in Australian Theatre
- "She's Just Being Sensitive"
- "Momentum for Change"
- Notes
- 6 Toward the Origin of Performing #MeToo: Franca Rame's The Rape as an Example of Personal and Political Theatre/Therapy
- Me Too Before #MeToo: Legacy and Change
- The Violence and the Drafting of the Text
- On the Stage
- An Incursion into the Glitter of Italian Saturday Night Television
- The Performance
- Issues of Meaning
- On the Internet
- Conclusion
- Notes
- 7 The Royal Court in the Wake of #MeToo
- "The Weinstein of British Theatre": London, October-November 2017
- On Institutions
- The Royal Court: Public Action, Artistic Responses
- "Does #MeToo need a liberal male sticking his oar in?"
- Notes
- 8 Dissident Solidarities: Power, Pedagogy, Care
- Performing Ruptures
- Performing Testimony
- Rethinking Feminist Solidarities
- Notes
- 9 Conversations with Noura: Iraqi American Women and a Response to A Doll's House
- Notes
- 10 #MeToo: Theatre Women Share Their Stories
- Notes
- 11 Les Zoubliettes: Raging Through Laughter-a Feminist Disturbance
- Les Zoubliettes As Performance of #MeToo
- Conclusion: How Not to Look Away
- Notes
- 12 "I'm the person to speak about myself": Self-Declaration, Reversal of Power, and Solidarity in The Red Book
- The #MeToo Movement and the Collapse of the Existing World
- "I am Myself": Self-Declaration Against the World
- Reversal of Power in The Red Book
- The Creation of Solidarity