Emilio Fernández : pictures in the margins /
'Emilio Fernández: Pictures in the Margins is the first book-length English language account of Emilio Fernández (1904-1986) the most successful director of classical Mexican Cinema, famed with creating films that embody a loosely defined Mexican school of filmmaking. However, rather than off...
| Autor principal: | |
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| Formato: | Licensed eBooks |
| Idioma: | inglês |
| Publicado em: |
Manchester, UK :
Manchester University Press,
2019.
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| Colecção: | Spanish and Latin American filmmakers.
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| Acesso em linha: | https://www.jstor.org/stable/10.2307/jj.21996443 |
Sumário:
- Introduction
- 1. 'Poor reception' and the popular in classical Mexican cinema
- 2. 'El Indio' Fernández, Mexico's marginalized golden boy and national auteur
- 3. Calendar María
- hybridity, indigenismo and the discourse of whitening
- 4. Gender, sexuality and the Revolution in Enamorada
- 5. Gender, sexuality and the Revolution in Salón México, Las abandonadas and Víctimas del pecado
- 6. Progress, modernity and Fernández' 'anti-modernist utopia': Río Escondido
- Epilogue: Mexican Cinema and Emilio Fernández post the Golden Age
- From Golden Boy to 'the man in black'
- Filmography.