Staging Black Fugitivity
"Argues that contemporary black dramas use the slave past to complicate views of the history of slavery, the realities of racial progress, and black subjectivity. McCormick analyzes work by August Wilson, Suzan-Lori Parks, Tanya Barfield, Lorraine Hansberry, Lydia Diamond, Robert O'Hara, a...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Chicago :
Ohio State University Press,
2019.
|
| Rangatū: | Black performance and cultural criticism.
|
| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctv2wbz0xf |
Rārangi ihirangi:
- Introduction: A body without a nation
- Mapping fugitivity in Black drama
- Fugitive acts
- Performing escape
- Fugitive intimacies
- Epilogue: Contemplating and complicating Black freedom.