The philosophy of neo-noir /
Film noir--a cycle of American films from the 1940s and '50s--is characterized not only by a constant opposition of light and shadow and a disruptive compositional balance of frames and scenes, but also by dark, foreboding characters and plots and an overriding sense of alienation and moral amb...
| Weitere Verfasser: | |
|---|---|
| Format: | Licensed eBooks |
| Sprache: | Englisch |
| Veröffentlicht: |
Lexington, Ky. :
University Press of Kentucky,
©2007.
|
| Schriftenreihe: | Philosophy of popular culture.
|
| Online-Zugang: | https://www.jstor.org/stable/10.2307/j.ctt2jcts3 |
Search Result 1