Ontology and the art of tragedy : an approach to Aristotle's Poetics /
Argues for a reading of the Poetics in light of the Metaphysics.
| Hoofdauteur: | |
|---|---|
| Formaat: | Licensed eBooks |
| Taal: | Engels |
| Gepubliceerd in: |
Albany :
State University of New York Press,
©2002.
|
| Reeks: | SUNY series in ancient Greek philosophy.
|
| Online toegang: | https://www.jstor.org/stable/10.2307/jj.18252420 |
Inhoudsopgave:
- Approach to the Corpus as a Whole
- The Systematic, the Chronological, the Aporetic Approach
- The Pervasive Substantive-Methodological Conceptual Constants
- The Concept of Being
- The Categories of Being
- The Categorial Priority of Ousia
- Immanent Causal Form-Matter Constitution in the Category of Ousia
- The Ontological and Cognitive Priority of the Object
- Approach to the Poetics
- The Poetics as a Special Science
- Techne-Physis (Mimesis 1)
- Artistic Techne (Mimesis 2)
- Poetical Techne, Tragic Techne
- Tragedy as an Ousia
- Levels Within the Poetics
- The First Level: Being
- The Categories of Being
- The Categorial Priority of Ousia
- Immanent Causal Form-Matter Constitution in the Category of Ousia
- The Ontological and Cognitive Priority of the Object
- The Second and Third Levels: Mimesis 1 and Mimesis 2
- The Aporia of Mimesis and Aristotle's Solution
- Liberties Art May Not Take
- Liberties Art May Take
- Liberties Art Must Take
- Agent-Centering, Patient-Centering, Object-Centering
- Agent-Centering and Object-Centering
- Agent-Centering
- Object-Centering
- Comparison of Ethical and Tragic Action
- Patient-Centering and Object-Centering
- Patient-Centering
- Comparison of Rhetorical and Tragic Action
- Textual Evidence.