An orchestra at my fingertips : a history of the Canadian Electronic Ensemble /
"When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analogue instruments and DIY logistics, never sure if everything would work as intended. Today's CEE sound comes from a sophisticated mixt...
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Licensed eBooks |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Montreal ; Chicago :
McGill-Queen's University Press,
[2023]
|
| Rochtain ar líne: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3561275 |
Clár na nÁbhar:
- Cover
- An Orchestra at My Fingertips
- Title
- Copyright
- Contents
- Figures and Tables
- Prologue
- Acknowledgments
- 1 Electrifying Musical Life in Toronto
- 2 A CEE Origin Story: Don't Mistake Us for a Pop Band
- 3 Sounds like the CEE: A Technological and Aesthetic Community
- 4 The CEE Live: Virtuosity, Perceptibility, and Improvisation
- 5 CEE Listening Spaces: Embodied, Embedded, and Virtual Contexts
- 6 A CEE Musical Network: Supporting Musical Life in Canada and Beyond
- Epilogue
- Discography
- Appendix: Listening Guides
- Increscents (1972)
- David Grimes
- Fancye (1973)
- David Jaeger
- Consequences for 5 (1977)
- Norma Beecroft
- I Have Come Through (1979)
- James Montgomery
- Quivi sospiri (1979)
- David Jaeger
- Psalm (1985)
- Larry Lake
- Attention Elk! (1994)
- CEE
- Caspin's Arrival (1998)
- CEE
- Improvisation #4 (2008)
- CEE
- Notes
- References
- Index