Flaco's legacy : the globalization of conjunto /
"A combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Ji...
| Главный автор: | |
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| Формат: | Licensed eBooks |
| Язык: | английский |
| Опубликовано: |
Urbana :
University of Illinois Press,
[2023]
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| Серии: | Music in American life.
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| Online-ссылка: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3563537 |
Оглавление:
- Introduction. The Globalization of Conjunto
- Part I. The Migration of Conjunto. "We love you, Flaco!" : Chicken Skin Music, "Mingomania," and the Inter/national Presentation of Conjunto ; "Ladies and gentlemen, Dodge presents Flaco Jiménez!" : Arhoolie Records, Keda Radio Jalapeño, and the Mediated Dispersal of Conjunto ; "From Texas to Washington and across to Michigan and Illinois...": Los Cuatro Vientos, Los Texmaniacs, Los Lobos, and the U.S. American Spread of Conjunto
- Part II: The Hybridization of Conjunto. "You have to mix it up!": "Seguro Que Hell Yes," the Texas Tornados, Los Super Seven, and the Cultural Hybridity of Flaco Jiménez ; "I play the jazz accordion!" : "Rueda de Fuego (Ring of Fire)," "My Toot Toot," and the Country/Zydeco Influences of Mingo Saldívar and Steve Jordan ; "It's jealousy..." : Eva Ybarra and the Hybrid Offerings of Women in Conjunto
- Part III. The Appropriation of Conjunto. "That's my music!" : Kenji Katsube, Dwayne Verheyden, and the Worldwide Participation in Conjunto ; "¡Esto es globalización!" : Rowwen Hèze, the Rolling Stones, and the Commercialized.