Orienting Italy : China through the lens of Italian filmmakers /
"Explores Italian filmmakers's representations of China and the Chinese, both at home and abroad"--
| Hoofdauteur: | |
|---|---|
| Formaat: | Licensed eBooks |
| Taal: | Engels |
| Gepubliceerd in: |
Albany :
State University of New York Press,
[2022]
|
| Reeks: | SUNY series, horizons of cinema.
|
| Online toegang: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=3199686 |
Inhoudsopgave:
- Introduction
- Italy and China: A Long History of Exchange
- The Drama of Chinese History on Film and in Reality since the Mid-Twentieth Century
- An Italian Eye on China and Chinese Immigrants
- 1 Documenting China between Fact and Fiction: La muraglia cinese/Behind the Great Wall (Carlo Lizzani, 1958)
- 2 An Italian Director in China: Chung Kuo-Cina/Chung Kuo-China (Michelangelo Antonioni, 1972)
- 3 A Tale of the Forbidden City: Bernardo Bertolucci's L'ultimo imperatore/The Last Emperor (1987)
- 4 Orienting Neorealism: Gianni Amelio's La stella che non c'è/The Missing Star (2006)
- 5 The Chinese Woman in Italy: Gorbaciof (Stefano Incerti, 2010) and Io sono Li/Shun Li and the Poet (Andrea Segre, 2011)
- 6 Documenting Chinese Immigrant Youth and Italian Anti-Immigrant Prejudice: Miss Little China (Riccardo Cremona and Vincenzo De Cecco, 2009)
- Conclusion
- The Future of China and Italy
- Notes
- Filmography and Works Cited