The culture of the sound image in prewar Japan /

This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a "culture of the sound image&...

全面介绍

书目详细资料
其他作者: Raine, Michael (Associate professor of film studies) (Editor), Nordström, Johan (Lecturer on Japanese film industry) (Editor)
格式: Licensed eBooks
语言:英语
出版: Amsterdam : Amsterdam University Press, [2020]
在线阅读:https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2667987
实物特征
总结:This collection of essays explores the development of electronic sound recording in Japanese cinema, radio, and popular music to illuminate the interrelationship of aesthetics, technology, and cultural modernity in prewar Japan. Putting the cinema at the center of a "culture of the sound image", it restores complexity to a media transition that is often described simply as slow and reluctant. In that vibrant sound culture, the talkie was introduced on the radio before it could be heard in the cinema, and pop music adaptations substituted for musicals even as cinema musicians and live narrators resisted the introduction of recorded sound. Taken together, the essays show that the development of sound technology shaped the economic structure of the film industry and its labour practices, the intermedial relation between cinema, radio, and popular music, as well as the architecture of cinemas and the visual style of individual Japanese films and filmmakers.
实物描述:1 online resource (227 pages) : illustrations
参考书目:Includes bibliographical references and index.
ISBN:9789048525669
9048525667
9789089647733
9089647732