Writing architectures : ficto-critical approaches /
Architects and fiction writers share the same ambition: to imagine new worlds into being. Every architectural proposition is a kind of fiction before it becomes a built fact; likewise, every written fiction relies on the construction of a context in which a story can take place. This collection of e...
| Outros Autores: | , |
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| Formato: | Licensed eBooks |
| Idioma: | inglês |
| Publicado em: |
London, UK :
Bloomsbury Visual Arts,
2020.
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| Acesso em linha: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2641135 |
Sumário:
- 1. Prelude : the ways in which we write / Jane Rendell
- 2. Waking Ideas From Their Sleep : An introduction to ficto-critical writing in and of architecture / Hélene Frichot and Naomi Stead
- 3. From Site to Situation : Cutting up as fictocritical composition / Anna Gibbs
- 4. Construction (and connection) / Katrina Schlunke
- 5. Incompossible Constructions of an Island Paradise / Hélène Frichot
- 6. Archaeologies of Exile on Trikeri Island : Listening to stones and speculating on prison matters / Elke Krasny and Phoebe Giannisi
- 7. In which Robert Smithson visits Christchurch : Ficto-criticism and the field trip / Jacky Bowring
- 8. Hiroshima : Notes of the expanded field / Kim Roberts
- 9. Writing Walking : Ficto-critical routes through eighteenth-century London / Emma Cheatle
- 10. The Indelible Traces of Your Footsteps / Mireille Roddier
- 11. Sydney Letters : A to E / Naomi Stead and Katrina Schlunke
- 12. Outrage on Calle de Alcala / Scott Colman and Lars Lerup
- 13. Architecture as Entourage : The politics of objects / Michael Young
- 14. The Architect Who Couldn't Write / Keith Mitnick
- 15. Return to Cold Spring Harbor Laboratory after The Marriage Plot / Sandra Kaji-O'Grady
- 16. The Bannister / Katrina Simon
- 17. Nice House, Woodland Lakes / Andrew Steen
- 18. The Door Left Ajar : On Dissident Waiting and Collective Fiction / Sepideh Karami
- 19. Postlude : Ficto-criticism after critique / Stephen Muecke.