Collaborative and Distributed Processes in Contemporary Music-Making.
This volume represents the second proceedings of the Royal Musical Association's (RMA) Music and/as Process Study Group. It is not surprising that a large number of the contributors to the Music and/as Process Study Group are active practitioners in the performance and composition of contempora...
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| Ētahi atu kaituhi: | |
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Newcastle-upon-Tyne :
Cambridge Scholars Publisher,
2018.
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| Urunga tuihono: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2464921 |
| Whakarāpopototanga: | This volume represents the second proceedings of the Royal Musical Association's (RMA) Music and/as Process Study Group. It is not surprising that a large number of the contributors to the Music and/as Process Study Group are active practitioners in the performance and composition of contemporary music. The collaborations documented here represent the bringing together of disciplines, joint work between practitioners who contribute their own specific areas of expertise to a composite creative activity, and work that crosses disciplines in order to make a critical comment in each of them. In th. |
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| Whakaahutanga tūemi: | Description based upon print version of record. |
| Whakaahuatanga ōkiko: | 1 online resource (234 p.) |
| ISBN: | 152754947X 9781527549470 9781527513983 |