Impression, projection : une histoire médiatique entre cinéma et journalisme /
[Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of W...
| その他の著者: | , , |
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| フォーマット: | Licensed eBooks |
| 言語: | フランス語 |
| 出版事項: |
Quebec :
Les Presses de l'Université Laval,
[2019]
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| シリーズ: | Littérature et imaginaire contemporain.
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| オンライン･アクセス: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2295192 |
| 要約: | [Machine translated] The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. The cinema and the press have always had a large number of elective affinities, just as they have always been in competition. Their broadcast channels and platforms are constantly intersecting, from the news filmed from the early 20th century to the participatory journalism of Web 2.0. Their materials and language are also full of hybridities and exchanges, whether journalism invests small and large screens or that the cinema absorbs the journalistic matter. New cinematographic genres - such as cinematic and film-inquiry - and journalistic genres - such as film criticism - have emerged. To these remedies are added reciprocal representations, the cinema having continually put journalism to the test, journalism having participated in the advent as well as the institutionalization of the cinema. Through alliances and rivalries, correspondences and contradictions, simultaneities and reversals, this volume proposes to explore the continual redefinition of our media and their identities. |
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| 物理的記述: | 1 online resource. |
| ISBN: | 2763745792 9782763745794 9782763745787 2763745784 |