Encounters on contested lands : Indigenous performances of sovereignty and nationhood in Québec /
Encounters on Contested Lands analyzes films, plays, visual art, and protest marches by Indigenous artists in Quebec, Canada, to explore the performance of cultural identity, sovereignty, and nationhood in Quebec's independence movement--Provided by publisher.
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Evanston, Illinois :
Northwestern University Press,
2019.
|
| Rangatū: | Performance works.
|
| Urunga tuihono: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1987040 |
Rārangi ihirangi:
- Introduction: Nation, spectacle, and colliding narratives
- Neptune redux : the (First) Nation(s) enacted in Alexis Martin's Invention du chauffage central en Nouvelle-France
- Les racines imaginaires/mythical metissages : Quebec and the ruse of the metis turn
- Cinematic encounters on the reserve
- Endurance/enduring performance : Nadia Myre, La Marche Amun, and the Indian Act's tumultuous geographies
- Theater in contested lands : repatriating ancestors amid violence
- Conclusion.