The flesh of images : Merleau-Ponty between painting and cinema /
In The Flesh of Images, Mauro Carbone begins with the point that Merleau-Ponty's often misunderstood notion of "flesh" was another way to signify what he also called "Visibility." Considering vision as creative voyance, in the visionary sense of creating as a particular pres...
| المؤلف الرئيسي: | |
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| مؤلفون آخرون: | |
| التنسيق: | Licensed eBooks |
| اللغة: | الإنجليزية الفرنسية |
| منشور في: |
Albany :
State University of New York Press,
[2015]
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| سلاسل: | SUNY series in contemporary continental philosophy.
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| الوصول للمادة أونلاين: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1071074 |
جدول المحتويات:
- Introduction : The flesh and the thinking of the visual today
- Flesh : towards the history of a misunderstanding
- It takes a long time to become wild : Gauguin according to Merleau-Ponty, Merleau-Ponty according to Gauguin
- 'Making visible' : Merleau-Ponty and Paul Klee
- The philosopher and the moviemaker : Merleau-Ponty and cinematic thinking
- The light of the flesh : anti-platonistic instances and neoplatonic traces in the later Merleau-Ponty's thinking
- The sensible ideas between life and philosophy.