Shakespeare and the energies of drama /
Shakespeare's texts are seen by the poet and critic Michael Goldman as designs for theatrical experience-the complex emotional, physical, and intellectual transaction between actor and audience that brings alive Shakespeare's imagination and makes it immediate to our own. Mr. Goldman'...
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Licensed eBooks |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Princeton, New Jersey :
Princeton University Press,
1972.
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| Sraith: | Princeton legacy library.
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| Rochtain ar líne: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=947114 |
Clár na nÁbhar:
- Frontmatter
- Acknowledgments
- Contents
- I. Introduction: Shakespeare's Bodies
- II. The Unsounded Self
- III. Romeo and Juliet. The Meaning of a Theatrical Experience
- IV. Falstaif Asleep
- V. Henry V. The Strain of Rule
- VI. Hamlet and Our Problems
- VII. The Worst of King Lear
- VIII. Coriolanus and the Crowd
- IX. The Winters Tale and The Tempest
- Appendices
- Index