America's corporate art : the studio authorship of Hollywood motion pictures /
Contrary to theories of single person authorship, America's Corporate Art argues that the corporate studio is the author of Hollywood motion pictures, both during the classical era of the studio system and beyond, when studios became players in global dramas staged by massive entertainment cong...
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Licensed eBooks |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Stanford, Calif. :
Stanford University Press,
©2012.
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| Sraith: | Post 45.
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| Rochtain ar líne: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=713315 |
Clár na nÁbhar:
- The rackets : entertainment inc. and the Warners gang (1928-1939)
- MGM and the invention of the postwar era : Mrs. Miniver and Battleground (1940-1949)
- "'Til the stars go cold" : Singin' in the rain, The band wagon, and Executive suite (1952-1954)
- Ownership and authorship : Warners' Fountainhead and Hitchcock's Vertigo (1949-1958)
- Saving Warner Bros. : Bonnie and Clyde, the movements, and the merger (1964-1968)
- Post-Warners Warners : Batman and JFK; You've got mail (1989-1998)
- The conscience of a corporation : toys united the Disney-Pixar merger, and the assertion of "cultural" authorship (1939-2006).