Schoenberg's musical imagination /
No composer was more responsible for changes in the landscape of twentieth century music than Arnold Schoenberg (1874-1951), and no other composer's music inspired a commensurate quantity and quality of technical description. Yet there is still little understanding of the correlations between S...
| Autore principale: | |
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| Natura: | Licensed eBooks |
| Lingua: | inglese |
| Pubblicazione: |
Cambridge ; New York :
Cambridge University Press,
©2007.
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| Serie: | Music in the twentieth century.
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| Accesso online: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=206565 |
Sommario:
- A passing of worlds: Gurrelieder as Schoenberg's reluctant farewell to the nineteenth century
- Dialectical opposition in Schoenberg's music and thought
- Dramatic conflict in Pelleas und Melisande
- Motive and memory in Schoenberg's First string quartet
- Uncanny expressions of time in the music of Arnold Schoenberg
- The tone row as the source of dramatic conflict in Moses und Aron
- The String trio : metaleptic Schoenberg.