Cinema and sensation : French film and the art of transgression /
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes...
| Kaituhi matua: | |
|---|---|
| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Edinburgh :
Edinburgh University Press,
2007.
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| Urunga tuihono: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=222735 |
Rārangi ihirangi:
- COVER; COPYRIGHT; Contents; Acknowledgements; Beginnings; CHAPTER 1 A 'Third Path'; CHAPTER 2 The Aesthetics of Sensation; CHAPTER 3 Film Bodies (Becomings and Embodiment); Epilogue; Bibliography; Selected Filmography; Index.