Bike boys, drag queens & superstars : avant-garde, mass culture, and gay identities in the 1960s underground cinema /
At the confluence of experimental art and the gay subculture of early 1960s New York, Juan Suárez discovers a postmodern, gay-influenced aesthetic that "recycles" popular culture. Filmmakers Kenneth Anger, Jack Smith, and Andy Warhol epitomize this sensibility, combining the influences of...
| Príomhchruthaitheoir: | |
|---|---|
| Formáid: | Licensed eBooks |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
Bloomington :
Indiana University Press,
©1996.
|
| Rochtain ar líne: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=626 |
Clár na nÁbhar:
- Avant-garde and mass culture: mapping the dialectic
- The American underground as a cultural formation: practices, institutions, and ideologies
- The 1960s underground as political postmodernism: from the new sensibility to gay cultural activism
- Pop, queer, or fascist? The ambiguity of mass culture in Kenneth Anger's Scorpio Rising
- Drag, rubble, and "Secret Flix": Jack Smith's avant-garde against the lucky landlord empire
- The artist as advertiser: stardom, style, and commodification in Andy Warhol's underground films.