Vital resonances encountering film with Varda, Haneke and Nancy /
Establishes resonance as a critical and conceptual paradigm for film analysis bringing together, for the first time, the work of three of the leading figures in European film: Agnès Varda, Michael Haneke and Jean-Luc Nancy.
| Հիմնական հեղինակ: | |
|---|---|
| Ձևաչափ: | Licensed eBooks |
| Լեզու: | անգլերեն |
| Հրապարակվել է: |
Edinburgh :
Edinburgh University Press
[2021]
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| Առցանց հասանելիություն: | https://www.jstor.org/stable/10.3366/j.ctv27qzrk7 |
Բովանդակություն:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Film, Resonance and the Senses
- Seeing with Oneself: Regarding Jean-Luc Nancy on Film
- La Pointe Courte: Avoid Contact with the Eyes and Skin, May Cause Irritation
- Time of the Wolf: Denatured Disaster Movie, Underwhelming Apocalypse, or the New Normal?
- Teenage Dreams in The Seventh Continent
- Le Bonheur: Happiness Made and Remade
- The Singular Plural of Seeing in Cleo from 5 to 7
- Caché: If These Walls Could Talk
- Bad Resonance in The Piano Teacher
- Documenteur: A Resonant Picture
- Bloody Resonance
- Bibliography
- Index