Roman eyes : visuality & subjectivity in art & text /
In Roman Eyes, Jas Elsner seeks to understand the multiple ways that art in ancient Rome formulated the very conditions for its own viewing, and as a result was complicit in the construction of subjectivity in the Roman Empire. Elsner draws upon a wide variety of visual material, from sculpture and...
| Kaituhi matua: | |
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| Hōputu: | Licensed eBooks |
| Reo: | Ingarihi |
| I whakaputaina: |
Princeton, N.J. :
Princeton University Press
[2007]
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| Urunga tuihono: | https://www.jstor.org/stable/10.2307/j.ctv21r3ptt |
Rārangi ihirangi:
- 1. Between Mimesis and Divine Power Visuality in the Greco-Roman World
- Part 1. Ancient Discourses of Art
- 2. Image and Ritual Pausanias and the Sacred Culture of Greek Art
- 3. Discourses of Style Connoisseurship in Pausanias and Lucian
- 4. Ekphrasis and the Gaze From Roman Poetry to Domestic Wall Painting
- Part 2. Ways of Viewing
- 5. Viewing and Creativity Ovid's Pygmalion as Viewer
- 6. Viewer as Image Intimations of Narcissus
- 7. Viewing and Decadence Petronius' Picture Gallery
- 8. Genders of Viewing Visualizing Woman in the Casket of Projecta
- 9. Viewing the Gods The Origins of the Icon in the Visual Culture of the Roman East
- 10. Viewing and Resistance Art and Religion in Dura Europos
- Epilogue. From Diana via Venus to Isis Viewing the Deity with Apuleius.